公共雕塑矗立在城市公共場所，起到緩解城市中高層建筑和道路建筑集中造成的擁堵、擁堵和僵化的作用，有時還可以起到增加空曠場地平衡的作用。

Public sculpture stands in urban public places, which plays a role in alleviating congestion, congestion and rigidity caused by the concentration of buildings in the city with high-rise buildings and roads, and sometimes can also play a role in increasing balance in open fields.

隨著城鎮(zhèn)化進(jìn)程的普遍推進(jìn)，經(jīng)濟(jì)不再是衡量一個城市發(fā)展的唯一標(biāo)準(zhǔn)，城市軟實(shí)力日益成為衡量城市文明程度的標(biāo)志，尤其是文化軟實(shí)力，代表著一個城市的吸引力、影響力和輻射力。好的城市雕塑甚至可以被視為城市的城市標(biāo)志，成為象征城市身份的品牌標(biāo)識和視覺符號。

With the general advancement of urbanization, the economy is no longer the only standard to measure the development of a city, and urban soft power has increasingly become a symbol to measure the degree of urban civilization, especially cultural soft power, which represents the attractiveness, influence and radiation of a city. Good urban sculpture can even be regarded as the city’s city logo, becoming a brand identity and visual symbol symbolizing the city’s identity.

雕塑作為展示城市形象的名片和信使，在設(shè)計和創(chuàng)作時也應(yīng)遵循一定的原則。

As a business card and messenger to display the image of the city, sculpture should also follow certain principles when designing and creating.

一、雕塑的風(fēng)格和手法要注意所設(shè)置區(qū)域的特征

First, the style and technique of sculpture should pay attention to the characteristics of the area set

歷史豐富的地區(qū)和紀(jì)念性遺址的雕塑應(yīng)盡可能古典主義或現(xiàn)實(shí)主義?，F(xiàn)代環(huán)境可以是現(xiàn)代主義或抽象雕塑。

Sculptures in historically rich areas and monumental sites should be as classicist or realistic as possible. Modern environments can be modernist or abstract sculptures.

二、雕塑的題材或形式要體現(xiàn)場所精神

Second, the theme or form of the sculpture should reflect the spirit of the place

雕塑要反映場所的歷史特雕塑應(yīng)反映該場所的歷史特征、文化內(nèi)涵或地域特征。

Sculptures should reflect the historical characteristics, cultural connotations or regional characteristics of the place.

三、雕塑的造型、體量或色彩要與所設(shè)置區(qū)域的整體環(huán)境相呼應(yīng)

Third, the shape, volume or color of the sculpture should correspond to the overall environment of the area to be set

根據(jù)公共場所的具體特點(diǎn)，或與公共場所和諧相處，或相互對比，不可能盲目借用或臨摹其他城市的雕塑。

Depending on the specific characteristics of public places, or in harmony with them, or in contrast with each other, it is impossible to blindly borrow or copy the sculptures of other cities.

接下來就來欣賞一組優(yōu)秀的公共雕塑案例
Next, let’s admire a group of excellent examples of public sculpture

這座引人注目的雕塑位于布拉格，由不銹鋼層制成，可旋轉(zhuǎn)360度，偶爾對齊形成一個巨大的頭部。

Located in Prague, this striking sculpture is made of layers of stainless steel that rotate 360 degrees, occasionally aligned to form a giant head.

這座重達(dá)110噸的橢圓形雕塑，也被稱為豆子，位于千禧公園。受液態(tài)汞的啟發(fā)，雕塑長66英尺，高33英尺。

The 110-ton oval sculpture, also known as the Bean, is located in Millennium Park. Inspired by liquid mercury, the sculpture is 66 feet long and 33 feet high.

這座雕塑也被稱為“打結(jié)的槍”，位于紐約聯(lián)合國旁邊，代表著對非暴力未來的希望。盧森堡委托作品作為禮物送給聯(lián)合國。

The sculpture, also known as The Knotted Gun, is located next to the United Nations in New York and represents the hope for a nonviolent future. Luxembourg commissioned the work as a gift to the United Nations.

該作品位于奔寧山脈，于2006年完成，是一座10英尺高的雕塑，旨在模仿實(shí)際樹木的形狀和優(yōu)雅。由藝術(shù)家Mike Tonkin和Anna Liu設(shè)計的歌唱樹結(jié)構(gòu)由鍍鋅鋼制成，并以風(fēng)吹過和唱歌的方式放置。

Located in the Pennine Mountains, the work was completed in 2006 and is a 10-foot-tall sculpture designed to mimic the shape and elegance of an actual tree. The Singing Tree structure designed by artists Mike Tonkin and Anna Liu is made of galvanized steel and placed in such a way that the wind blows through and sings.

受新加坡旅游局委托，張發(fā)昌的第一代作品描繪了一群熱情的男孩跳入新加坡河。

Commissioned by the Singapore Tourism Board, Teo Fa-cheong’s First Generation depicts a group of enthusiastic boys jumping into the Singapore River.

路易絲·布爾喬亞（Louise Bourgeois，1911-2010）的大部分內(nèi)容旨在向公眾展示嫉妒、憤怒、恐懼和她痛苦的童年的概念。她的雕塑《媽媽》也不例外。這座30英尺高的建筑位于西班牙畢爾巴鄂的古根海姆博物館前，展示了與孕婦相關(guān)的力量和脆弱性。

Much of Louise Bourgeois’ (1911–2010) aims to bring to the public the concept of jealousy, anger, fear and her painful childhood. Her sculpture Mama is no exception. Located in front of the Guggenheim Museum in Bilbao, Spain, the 30-foot-tall building shows the strength and vulnerability associated with pregnant women.

位于明尼阿波利斯雕塑公園，由克拉斯·奧爾登位于明尼阿波利斯雕塑公園的勺子橋和櫻桃，由Klaes Oldenburg和Cusier van Brugen設(shè)計，既有趣又美麗。

Located in the Minneapolis Sculpture Park, the Spoon Bridge and the Cherry, by Klaes Oldenburg and Cusier van Brugen, is both interesting and beautiful.

由匈牙利藝術(shù)家Elvin Lorans Elvey設(shè)計的Ejected是一個巨大的雕塑，似乎正在從地下爬出來。該雕塑位于布達(dá)佩斯的塞切尼廣場。

Ejected, designed by Hungarian artist Elvin Lorans Elvey, is a giant sculpture that appears to be crawling out of the earth. The sculpture is located in Széchenyi Square in Budapest.

這件由溫哥華市委托創(chuàng)作的數(shù)字藝術(shù)品俯瞰著賽普拉斯省立公園的海港和山脈，既美麗又奇異。

This digital artwork commissioned by the City of Vancouver overlooks the harbor and mountains of Cypress Provincial Park, both beautiful and bizarre.

這座名為“讀河、讀水、讀未來”的巨型雕塑，是民族的心愿。以南寧民間吉祥物青蛙為藍(lán)本，通過張延根的抽象創(chuàng)意和多維的空間表達(dá)手法，生動典雅地呈現(xiàn)了這一區(qū)域性水生態(tài)吉祥物的人文表現(xiàn)。

This giant sculpture, titled “Reading the River, Reading the Water, and Reading the Future”, is an aspiration of the nation. Based on Nanning’s folk mascot frog, through Zhang Yangen’s abstract creativity and multi-dimensional spatial expression techniques, it vividly and elegantly presents the humanistic manifestation of this regional water ecological mascot.